Wednesday, June 10, 2026

RUIN RADIO JUNE MIXTAPE 2026: SPECIAL GUEST CURATED BY WES EISOLD

 



RUIN RADIO JUNE MIXTAPE 2026: SPECIAL GUEST CURATED BY WES EISOLD


American musician, writer, and publisher Wes Eisold (Cold Cave, American Nightmare, Some Girls / Heartworm Press) shares some of his favourite tracks for Ruin Radio’s June 2026 Mixtape.





Track listing below;


Billy Childish – We Have War Because We Love War
Ron S. Peno and The Superstitions – The Death Of Me
The Fall – Living Too Late
Tall Dwarfs – All My Hollowness To You
Suicide – Rain Of Ruin
Buzz Kull – Just A Memory
Lilys – Claire Hates Me
Gate – Wilderness
Nikki Sudden feat. The Creeping Candies – No Good in Heaven
Cat Power – I Found A Reason
Einstürzende Neubauten – Sabrina
Mark Lanegan – Old Swan
Rosa Anschütz – Swan Song
Morrissey – Southpaw


Photo courtesy of artist.



Tuesday, June 9, 2026

ARMAGEDDON | Augusto De Luca

[Photography has always had the power to capture the essence of reality, but when it ventures into the realm of the metaphysical and the surreal, it becomes a tool for exploring invisible dimensions and profound symbolism. In a world marked by the catastrophes of world wars, photographic work that weaves these themes together offers a unique perspective on human history—a visual narrative capable of provoking emotions and reflections. My latest photographs transcend the simple act of taking pictures; they are a journey into the souls of people, an attempt to capture the invisible that lies behind historical events. The scars left by global conflicts are evident, but there are also shadows and silences, the untold stories of those who suffered and those who fought. Through the lens of art, the essence of human emotions is explored, using surreal elements to highlight pain and hope. Every image captured in this context is laden with symbols. These symbols not only evoke the collective memory of wars but also invite the viewer to confront their own interpretation of suffering and rebirth. The choice of forms, composition, and lighting become tools for telling stories that go beyond the visible. The surreal element in my photographic work comes into play when reality is “distorted,” creating images that seem to emerge from a dream. In this context, the surreal does not seek to deny pain, but rather to amplify it, leading the viewer to a deeper level of understanding—dreamlike scenarios rich with hidden meanings. This approach challenges the viewer to reflect on the boundary between reality and imagination, between what has been and what could be. This surreal and symbolic photographic work on the catastrophes of the world wars is not merely a document, but an invitation to look beyond superficial images. It is a call to explore human emotions and experiences, to confront the past, and to find profound meaning in beauty and pain. Through art, the stories of millions of lives lost and transformed continue to live on, encouraging us to keep the memory alive and to look to the future with fresh eyes.] 

- Augusto De Luca













Working at the intersection of portraiture, architecture and visual poetry, Augusto De Luca is one of Italy’s most distinctive contemporary photographers. Emerging from Naples in the late twentieth century, De Luca developed a signature style defined by dramatic contrasts, geometric compositions and an almost cinematic sense of atmosphere. Whether photographing renowned cultural figures or the quiet beauty of urban landscapes, his images transform everyday moments into timeless studies of light, shadow and human presence. His work invites viewers to look beyond the surface, revealing the emotion, mystery and elegance hidden within the ordinary.







 

Sunday, June 7, 2026

LISTEN | Neverending by Monolord

 




For well over a decade, MONOLORD have caused mass riff hypnosis with longform epics steeped in repetition, volume, and heaviness. One of heavy music’s most consistent and beloved bands, MONOLORD are gearing up for their next chapter with a new album titled Neverending.

In looking for a new take on the genre, MONOLORD approached the legendary producer Sylvia Massy, known for her work with Tool, System of a Down, and Johnny Cash, among many more. The payoff from this new process is undeniable. Neverending feels like the culmination of 13 years of heavy, molten music, with a keen eye towards creating a sharper album. “The recording of this album is an example of the spirit of MONOLORD’s camaraderie,” says bassist Mika Häkki. “We’ve looked back and seen for the first time how much we have done as a band collectively, and realized what an intense 13 years it has been.”

"The lyrics on this album are more personal than before because I went through some major life changes in the last couple of years,” guitarist/vocalist Thomas Jäger says. “I usually write about religion and how people are superstitious, but this record is more about relationships between people. But it’s not all about me. Sometimes I’m writing from another person’s perspective.”

Neverending’s lead single “You Bastard” offers listeners a sharp contrast: A propulsive groove offset by lyrics about suicide. There’s two sides to suicide,” Jäger points out. “There’s the person who commits suicide and the people who gets left behind...The choruses represent the person left behind, and that person is calling the other a bastard—but it’s not pointing fingers or saying, ‘You suck.’ It’s more like, ‘You left me here with all the bullshit.’ It’s an understanding that life is not easy."

Though it might not be immediately obvious, album opener “Iodine” was inspired by 70's rock epics like Lynyrd Skynyrd’s “Free Bird,” The Eagles’ “Hotel California,” and Led Zeppelin’s “No Quarter." Elsewhere, album closer “It’s Neverending” is the first MONOLORD song that Jäger doesn’t sing on. Instead, the death-metal style vocals are performed by former Entombed bassist Jörgen Sandström, (also of Grave, Domedagen and Firespawn.)

13 years on, MONOLORD’s path takes a new turn, and Neverending becomes the band’s most befitting album title. “It's been a wild ride and still is,” says drummer Esben Willems. “I've spent a quarter of my life in this band. Looking back, I'm incredibly proud of what we've accomplished along the way, and in many ways, this album feels like the essence of everything we've done so far. My mindset is the same it's always been, to be the absolute best the three of us can be.”
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